![]() Whatever the challenges of their trial run, however, the result, surely elevated by Ullmann’s typically self-sacrificing co-starring turn, is one of the great final performances in film history, an emotional exorcism that casts the star’s faded glamour in a devastating light. Autumn Sonata was the only collaboration between cinemas two great Bergmans: Ingmar, the iconic director of The Seventh Seal, and Ingrid, the monumental. A fiercely intimate two-hander with the tense silence of Cries and Whispers but bathed in its own unique autumnal glow, the film was Bergman’s first and only collaboration with cinema’s other monumental Bergman, who had to unlearn her classical techniques to meet the demands of her director’s unsparing, close-up-heavy naturalism. The grand dame, playing an icy concert pianist, is matched beat for beat in ferocity by the filmmaker’s recurring lead Liv Ullmann, as her eldest daughter. To this quiet abode comes Eva’s mother, Charlotte ( Ingrid Bergman), an internationally successful concert pianist who at first delights with her arrival after a seven-year absence, but whose history of inadequacies as a parent resurfaces gradually over a series of soulful mother-daughter heart-to-hearts. AUTUMN SONATA was the only collaboration between cinema’s two great Bergmans: Ingmar, the iconic director of The Seventh Seal, and Ingrid, the monumental star of Casablanca. ![]() Not digitized: Letter Dear friends and colleagues, about the move from Sweden, 6 sheets, 18 x 22 cm. Notes on acceptance speech, The Goethe Prize, 37 p. “Shot during Bergman’s self-exile from Sweden, Autumn Sonata trades the rocky, windswept coastlines of much of the director’s output for the verdant alpine climes of Norway, where Eva ( Liv Ullmann) lives in a cottage with her kindly husband Viktor ( Halvar Björk) and disabled sister Helena ( Lena Nyman). Draft of Autumn Sonata, dated 19.6.76 - Sun.
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